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Tag: Book Binding
My search for the perfect little black notebook
Ever since Dr. Shipman converted me to Moleskine notebooks many years ago during a climbing trip, I have coveted little black notebooks to record my thoughts, doodles, designs, to-do lists, etc… I drank the Kool-Aid and now I share a little “problem” with what seems to be a quarter of the world’s population: finding the perfect notebook.
The Moleskine was great for a couple of years, but they do not work great for fountain pens, the binding is lackluster, and I wanted some paper different options. Thus began my hunt for the perfect little black notebook. I have used Field Notes, Moleskine (pocket, large & cahiers), Blank Books, Knox-Japan (only sold in Japan and France), Pocket Blanks, Gallery Leather, Rhodia, Guildhall, No Names, Rite in the Rain, Piccadilly, Leuchtturm 1917, etc… Some have been great and some have come apart within weeks. I have fallen for the paper of the Rhodia and love the Leuchtturm format – dots, page numbers, and index. The Moleskine blank sketchbook has great paper, but not enough of it – I also keep busting the binding. The Leuchtturm’s paper will bleed a little, even when using an EF nib – as will most everything but the 90# Rhodia. The Gallery Leather has tear-off corners, but no page numbers and I can split the spine on a Webbook without even trying. In the last ten years I have come to decide that no one journal works for me for everything. Here is my current quiver of little black notebooks:
Knox-Japan A5: calendar and work notes/design
Gallery Leather: pocket notebook
Leuchtturm or Rhodia A5 Dots: Travel Journal
I am still looking for a 90g, acid free, sewn binding 32-64 page A5 Cahiers for everything but my pocket notebook, which I would switch to a 3″X6″ sewn Cahier. I would prefer to have single signature/section, using them up before they were utterly destroyed, and I would like to have the ability to bind then together if the mood were to ever strike.
Old books make me light-headed and giddy
This past Saturday Stamps-With-Foot and I met downtown at the Seattle Center for the 14th annual Seattle Antiquarian Book Fair. It has been marked on my calendar for a couple of months because I am a giant bookworm. Handling old books makes me feel all funny in a certain place in my lower abdominal region… so not attending wasn’t in the cards. The first booth we visited was one that sold sheets of illuminated volumes on vellum. There were thousands of sheets ranging in size from 3″X4″ to full folio size (~15″X17″). The hand drawn figures, uncial script, and the shinning gold accents from the 14th century made me a little dizzy and it was REALLY hard for me to not grab two armfulls and run screaming “I am John Galt!!” from the hall. Really, it crossed my mind, and only the realization of what it would mean for me when my cellmates in jail asked “What you in here for?” kept me from acting on that totally logical bibliophile impulse.
I looked over at my little wife and she had a huge smile on her face and was carefully holding a sheet from a French Book of Days bound in 1480-ish, looking at it like it held the answer to world peace. She glanced over and mouthed, “I want to have sex with it.” And THAT, ladies and gents, is why we are married.
After the first booth, the rest of the show was a little bit of a let down, but there were some truly rare and beautiful volumes – I think that I have turned Stamps-With-Foot into a collector of miniature books. We bought a couple of moderns, and looked longingly at the vellum as we left the show after a couple hours of browsing, talking to vendors, and groping hand bound book spines.
